Born October 10, 1955, in Bloomington, Ind.; son of Nathan (an ophthalmologist) and Sybil Roth. Education: Attended Pasadena City College. Addresses: Home-- Pasadena, CA. Office-- c/o Warner Brothers Records, 3300 Warner Blvd., Burbank, CA 91505.
Infamous as the lead vocalist and colorful frontman for Van Halen, one of America's most popular hard-rock bands, David Lee Roth turned solo artist in 1985. Indeed, after the enormous success of his extended play album Crazy From the Heat, Roth, in a decision that stunned Van Halen fans, decided to leave the group permanently. Although many of Van Halen's followers feared that neither he nor the band would survive the split, each has continued to dazzle rock and roll devotees. Roth, flamboyant as ever, has managed to keep his talents in the public eye with masterful videos and such albums as Eat 'em and Smile and Skyscraper.
Born in Bloomington, Indiana, the rock star remembers being introduced to music fairly early in life. His father, an ophthalmologist, presented him, at age seven, with recordings by jazz artist Al Jolson--still one of Roth's heroes--and at age eight he began listening to Ray Charles sing on the radio. Summer visits to his Uncle Manny, who operated the famed Greenwich Village Cafe Wha, were also influential, enabling him to view a variety of performers. By the time he was a teenager the aspiring musician, then living with his family in California, was singing solo as well as with a group called the Red Ball Jets.
Another Los Angeles area group, Mammoth--comprised of a bass player and the two Dutch-immigrant Van Halen brothers, Alex on drums and Edward singing and playing lead guitar--occasionally rented the Red Ball Jets' PA system. They were impressed with Roth and soon invited him to join them as lead vocalist (later joking that all they really wanted was his amplification equipment), and the group was eventually completed with the permanent addition of Mike Anthony on bass. Around 1974, after discovering that another group already owned the copyright to the name Mammoth, the group renamed itself Van Halen and began its struggle for fame and fortune.
The fledgling band seized the opportunity to play wherever and whenever it could, with its members doing everything for themselves, from securing engagements to promotional work. Performing both original songs and established tunes, Van Halen eventually became a local success and began to routinely open for such established acts as UFO and Santana; they also became a regular feature at the Starwood Club, the West Coast venue to fame. It was during their four-month stint there, in fact, that they were "discovered." First, Gene Simmons, bass player for the rock band Kiss, helped the group produce their first demo tape, then Warner Brothers' Ted Templeman came to the Starwood, heard the group, and signed them to a contract with his label.
Released in 1978, the band's first album, Van Halen, brought the group national attention. The album was a smashing success with more than two million copies sold, and the original members of Van Halen went on to release five more successful albums over the next seven years. Unlike many up-and-coming groups, the increasingly popular Van Halen never lacked press coverage, which was generated by its members' wild lifestyles as often as by its music.
More than any other band member, Roth is credited with promoting Van Halen's image as the quintessential rock band, one devoted to a lifestyle described by David Fricke in Rolling Stone as "a nonstop booze-and-babes party train." An on-stage rowdy, Roth became an expert at sexist slapstick who, in the opinion of Carl Arrington, writing for People, "helped gild the groups' head-banger image ... with mock-macho stage posturing and costumes that looked like they were ripped off the backs of passing lions." But if, as Arrington suggested, Roth has fostered the image of himself as a "renaissance rocker," the critic also found him "less a fraud than most good actors or successful politicians." According to Arrington, Roth has played the part so long that "his concert persona and offstage personality [are] closer than most of his peers."
Sometimes referred to as "the bad boy of rock and roll" and "Mr. Bigmouth," Roth, in fact, is just as famous for his off-stage antics. Reports abound of the rocker's antipathy toward marriage, his refusal to permit other band members' wives to go on tour with the group, and of nude girls dancing on tabletops backstage as well as of his party-till-you-drop philosophy. Interviewing the star for Rolling Stone, Nancy Collins asked if the Van Halen backstage scene was really "akin to a bacchanalian feast." Roth, a student of karate, responded: "It's excessive. In terms of the fringe benefits you're supposed to get from rock & roll, I'd say we're black belts."
Despite his propensity for debauchery, Roth has earned applause for his abilities as a lyricist and singer. With a friend at the wheel of his 1951 Mercury convertible, Roth pens his words while cruising around the Los Angeles canyons. The generally simple lyrics work in harmony with the musical scores composed by Edward Van Halen to create the band's trademark tunes, tunes that helped transform Van Halen, in Fricke's words, into "the monster rock action squad that ruled the charts and the airwaves for seven years."
In 1985, after some much publicized squabbling, Roth decided to leave Van Halen and try his luck as an independent artist. With his first solo album, Crazy From the Heat, already a best-seller and a movie contract in the offing, Roth became the focus of even more rumors than usual, most speculating that he had simply become too egotistical to continue working with the group. But after the initial furor subsided, Van Halen and Roth set about proving that each could survive in the music world without the other.
Although Roth's movie career never materialized, he has continued his ingenious video work as well as recorded new albums. The star's 1986 Eat 'em and Smile has sold more than two million copies, and in 1988 he released Skyscraper. What's most important to Roth, however, whether alone or with a group, whether involved in showmanship, writing lyrics, or singing, is to be "rockin'." That, he told Collins, is "all I ever really wanted to do."
by Nancy H. Evans
David Lee Roth's Career
Vocalist with rock group Red Ball Jets in California in the early 1970s; vocalist with band Mammoth, renamed Van Halen, 1974-85; solo performer, 1985--.
- With Van Halen
- Van Halen Warner Brothers, 1978.
- Van Halen II Warner Brothers, 1979.
- Women and Children First Warner Brothers, 1980.
- Fair Warning Warner Brothers, 1981.
- Diver Down Warner Brothers, 1982.
- 1984 Warner Brothers, 1984.
- Solo Albums
- Crazy From the Heat (EP), Warner Brothers, 1985.
- Eat 'em and Smile Warner Brothers, 1986.
- Skyscraper Warner Brothers, 1988.
July 8, 2003: Roth's album, Diamond Dave, is released. Source: Yahoo! Shopping, shopping.yahoo.com/shop?d=product&id=1921982670, July 11, 2003.
November 16, 2004: Roth underwent training in New York City, to become a paramedic. Source: CNN.com, www.cnn.com/2004/SHOWBIZ/Music/11/16/people.roth.ap/index.html, November 16, 2004.
October 25, 2005: Roth was named to replace Howard Stern in the New York, Boston, Cleveland, Philadelphia, Pittsburgh, Dallas, and West Palm Beach radio markets, beginning in 2006. Source: E! Online, www.eonline.com, October 28, 2005.
- Kaye, Annene, Van Halen, J. Messner, 1985.
- Matthews, Gordon, Van Halen, Ballantine Books, 1984.
- Musician, February, 1986.
- People, February 11, 1985; June 23, 1986; September 29, 1986.
- Rolling Stone, June 21, 1984; April 11, 1985; August 15, 1985; July 3, 1986.
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